ABSTRACT

In the process between 1880 and 1940, De Porceleyn Fles factory in Delft, Ravesteijn factory in Utrecht and Plateelbackerij Rozenburg in The Hague where the ceramics are examined to be produced with İznik motifs, is the parallel of the tendency also seen in the other countries of the Europe. In these years, the designs of Théodore Deck and Emile Samson in France, William de Morgan in England, Ulisse and Giuseppe Cantagalli in Italy, Miklos Zsolnay in Hungary which are originates from İznik tiles and ceramics, reflects the interest and tendency of that age. Thatperiod is the time when the activity of İznik workshops, were already ended and that the products of İznik was wandering commonly around the European collections. In the same period, also Kütahya workshops started to produce the imitations of İznik products.